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＜聖マーシャル楽派＞ Relationships between the Twelfth-Century Aquitanian Polyphonic Versus and Two-Part Conductus Repertories Rebekah Elizabeth Woodward１　その２ｐ５８～　その２ｐ６９～その３ｐ８６～　その４ｐ１０８～　その５ｐ１４５～　その６ｐ１７２ The Polyphony of Saint Martial and Santiago de Compostela THEODORE KARP ＜ノートルダム楽派関係＞・W1 The Conductus of W1: An Investigation into their History and Rhythm A Monument of English Mediaval Polyphony: The Manuscript Wolfenbuttel677　 The Rhythm of cum littera Sections of Polyphonic Conductus in Mensural SourcesGORDON A. ANDERSON Ordering in the motet fascicles of the Florence manuscript Conductus and Modal Rhythm BY ERNEST H. SANDERS The Role of the Parisian Sequence in the Evolution of Polyphon　Margot E. Fassler.　その２ THE EARLIEST MOTETS: ORIGINS, TYPES AND GROUPINGS Concerning the Genetic Relationship Between Notre Dame Clausulas And Their Motets FROBENIUS Performance Practice. The Notre-Dame Calendar and the Earliest Latin Liturgical Motets The Two-Part Conductus:Morphology, Dating and Authorship1 その２　その３　その４　その５　その６　その７　その８　その９　その10 Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique1 　その２　その３　その４　その５ Mnemotechnics and Notre Dame Polyphony Extensio and fractio modi 第二モードの発展について The Selection of Clausula Sources for ThirteenthCentury Motets: Some Practical Considerations and Aesthetic Implications１　その２　その３ aaa EARLY CISTERCIAN POLYPHONY:A NEWLY-DISCOVERED SOURCE A Rhythmic realization for Raimbaut de Vaqueiras Kalenda Maya Aspects of Trope in the Earliest Motets for the Assumption of the Virgin Liturgical Polyphony at Beauvais in the Thirteenth Century David G. Hughes Rhythmic paradigms in the Cantigas de Santa Maria: French versus　Arabic precedent UNKNOWN MOTETS IN A RECOVEREDTHIRTEENTH-CENTURY MANUSCRIPT* LEO SCHRADE その２ Duple Rhythm and Alternate Third Mode1 その２＜Roman de Fauvel (Br.fr.146)＞ Musical Beastliness・in the Roman de Fauvel (BN fr.146): Chaillous addicions・ and Sensory Danger その２　その３　その４　その５　その６　その７ The language of medieval music: two thirteenth-century motets Ardis Butterfield		‘Imitatio’, ‘Intertextuality’, and Early Music まうかめ堂　モーダル記譜法の解説１まうかめ堂：フランコ式記譜法の解説１まうかめ堂　中世音楽の音階、ソルミゼーション、旋法まうかめ堂：雑文のページ solfatio: 中世のソルミゼーションに関する覚書 14世紀世俗曲における多声法についての一考察──Ars nova からArs subtilior へ── デュファイによる「ドミナントの発見」へ至る音響的総括としてマリア・モテットの成立に関する一試論 http://machikun.la.coocan.jp/youtubeenglish.htm １５世紀初頭の多声ミサ曲：組ミサとミサ・サイクル Doctoral Dissertations(諸論文）デュファイの楽譜１デュファイの楽譜２（（←の抄訳））おじさんデュファイのやせたおじいさんデュファイ作品表ジョスカン・デプレ　 A Selection of English Carols A Limited Selection Richard Greene CANTUS INDEX The Gregoｒian Repertry 記譜法いろいろ（英語）
＜音楽理論その他＞ B-Flat: Transposition or Transformation? Dolores Pesce Hermann's Major Sixth BY RICHARD L. CROCKER Modal Types and Ut, Re, Mi Tonalities:Tonal Coherence in Sacred Vocal I500* BY JUDD Mode and structure in the Masses of Josquin MUSIC THEORY ANDMUSICAL　THINKING AFTER 1450 John Hothby as Innovator: The solmization system in La Calliopea legale Sigrun Heinzelmann 1 John Hothby as Innovator: The solmization system in La Calliopea legale Sigrun Heinzelmann 2 Music　Ficta in the Cortona Laudario Inscribing medieval pedagogy: musica ficta in its texts1　その２ Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue1 その２　その３　その４　その５　その６　その７　その８　その９　その１０ From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music THE COMMON AND THE UNUSUAL STEPS OF MUSICA FICTA: Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassuss Prophetiae Sibyllarum1　その２ A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century１　その２ False Relations and Chromaticism in Sixteenth-Century Music By JAMES HAAR From Variety to Repetition:The Birth of Imitative Polyphony Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria１　その２　その３ The Motetti Missales Repertory Reconsidered La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel1　その２ Modal Discourse and Fourteenth-Century French Song: A 'Medieval' Perspective Recovered? Author(s): Sarah Fuller　その２ Mary's Nativity1　その２　その３ Manuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughe その２　その３　その４　その５ Chromatic beauty in the late medieval chanson T.Brothers　その２　その３　その４　その５　その６　その７　その８　その９　その10 The Origin of the Coniuncta CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN Peter Urquhart 　その２　その３　その４ The Motets of Antoine Busnois MORALES, JOSQUIN AND THE L'HOMME ARMÉ TRADITION その２ THE L'HOMME ARME MASSES OF BUSNOYS AND OKEGHEM The Missa L'omme arme of Johannes Regis 0　その２　その３　その４　その５ Finishing Josquins unfinished・ Mass　その２ A Veneto Liber cantus (c. 1440) Subtilitas in the tonal language of Fumeux fume Signature-systems and tonal types in the fourteenth-century French chanson PETER M. LEFFERTS Tonal Types and Modal Categories in Renaissance Polyphony Harold S. Powers On the Theory and Practice of Chromaticism in Renaissance Music その２　その３　その４　その５　その６　その７　その８　その９　その１０ DIATONIC FICTA１　Magaret Bent 　その２　 Accidentals, Counterpoint and Notation in Aaron's Aggiunta to Toscanello in Musica　Magaret Bent　 Quid non ebrietas dissignat? Willaerts didactic demonstration of Syntonic tuning 　その２ CHROMATICISM IN SIXTEENTH=CENTURY MUSIC1 A DISPUTE ON ACCIDENTALS　IN SIXTEENTH-CENTURY ROME（抄訳）　元の論文 CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN Peter Urquhart 　その２　その３　その４ The Origin and Early History of Proportion Signs Berger The Myth of diminutio per tertiam partem Berger Proportional signs in the works of Heinrich Schutz Jang Woo Park ON THE STYLE OF LASSO’S MISSA SESQUIALTERA WILLIAM PETER MAHRT Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music１Lundberg, Mattias.		＜英国関係＞ English Sacred Music1 English Sacred Music2 p34~ English Sacred Music3 English Sacred Music4 English Sacred Music5 Mid-Fifteenth-Century English Mass Cycles1 その２　その３　その４　その５ England,hope for light after the confusion of darkness Two Medieval Musical Manuscripts:Egerto3307　その２ A Newly Discovered 15th-Century Manuscript of the English Chapel Royal Adam de La Hall and the Formsfixes Walter Frye and Contenance angloise1 Walter Frye and Contenance angloise2 p3~aa Walter Frye and Contenance angloise2-1 p28~a Walter Frye and Contenance angloise2-1 p47~ Walter Frye and Contenance angloise2-2 p62~ Singing from Manuscripts? Fifteenth-Century, English, Secular Songs with Music and their Reading Practices Walter Frye and Contenance angloise3 p91~ Three musical treatises Walter Frye and Contenance angloise4 p125~ Walter Frye and Contenanceangloise5 p147^ Walter Frye and Contenance angloise6p169~ Walter￥ Frye and Contenance ￥ngloise7p176~ THE STYLE OF WALTER FRYE AND AN ANONYMOUS MASS IN BRUSSELS Music and Sanctity in England,c. 1260- c. 1400 Lisa Marie Colton THE MOTET IN ENGLAND IN THE FOURTEENTH CENTURY1 PETER MARTIN LEFFERTS THE MOTET IN ENGLAND IN THE FOURTEENTH CENTURY2 PETER MARTIN LEFFERTS (未) UNKNOWN MOTETS IN A RECOVERED　THIRTEENTH-CENTURY MANUSCRIPTBY LEO SCHRADE ＜Dufay＞* AUTOBIOGRAPHICAL IMPLICATIONS IN DUFAY'S SONG-MOTET JUVENIS QUI PUELLAM1 AUTOBIOGRAPHICAL IMPLICATIONS IN DUFAY'S SONG-MOTET JUVENIS QUI PUELLAM2 DUFAY D.Fallows1 DUFAY D.Fallows２ DUFAY D.Fallows３ The Motet in the Age of Dufay ＜マショー関係論文＞ Machaut's Mass１　その２　その３　その４ Machaut壮 Balade Ploures dames (B32) in the Light of　Real ￥ Modality1 Berger AN ANALYSIS OF GUILLAUME DE MACHAUT担 LE LAY DE LA FONTEINNE・１ ON SONORITY IN FOURTEENTH-CENTURY POLYPHONY1 ON SONORITY IN FOURTEENTH-CENTURY POLYPHONY２ Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music　SarahFuller その２ Musica Ficta and Harmony in Machaut's Songs* THOMAS BROTHERS Machaut's Messe　Notre-Dame Ｇｏｍｂｏｓｉ The dart of love: an analysis of Machauts rondeau no.5 The Works of Guillaume de Machaut Machaut score Ballade SONORITY AND TONAL TYPE IN TRECENTO ITALY THEORIZING THE CADENCE IN THE MUSIC OF MACHAUT１ Jennifer Bain
＜F.Harrison＞ Medieval Music in Britain F.Harrison(p1~) Medieval Music in Britain F.Harrison20(p46~ Medieval Music in Britain F.Harrison21(p72~~ Medieval Music in Britain F.Harrison00(p104~ Medieval Music in Britain F.Harrison01(p128~ Medieval Music in Britain F.Harrison0(p156~ Medieval Music in Britain F.Harrison0(p177 Medieval Music in Britain F.Harrison1(p220~ Medieval Music in Britain F.Harrison2(p243~ Medieval Music in Britain F.Harrison3(p262~ Medieval Music in Britain F.Harrison4(p274~) Medieval Music in Britain F.Harrison5(p295~) Medieval Music in Britain F.Harrison6(p307~) Medieval Music in Britain F.Harrison7(p329) Medieval Music in Britain F.Harrison8(p353~) Medieval Music in Britain F.Harrison9(p370~) Medieval Music in Britain F.Harrison10(p391~) Medieval Music in Britain F.Harrison11(p413~)		＜Bukofzer教授＞ Studies in MEDIEVAL１ Studies in MEDIEVAL２ Studies in MEDIEVAL３ Studies in MEDIEVAL４(p73~)aa Studies in MEDIEVAL４-0(p86~) Studies in MEDIEVAL４-0-1(p99~) Studies in MEDIEVAL４－１(p128) Studies in MEDIEVAL４－２ Studies in MEDIEVAL４－３a Studies in MEDIEVAL４－4 Studies in MEDIEVAL４－5(p190~) Studies in MEDIEVAL５(p217~230) Studies in MEDIEVAL６ Studies in MEDIEVAL７ Studies in MEDIEVAL８
＜書籍＞ Music and Reformation1 Music and Reformation110 p31~ Music and Reformation111 p100~ Music and Reformation2 p135~ Music and Reformation3 p157~ Music and Reformation4 p172~ Music and Reformation5 p193~ Music and Reformation5-1 p277~ Music and Reformation6 Music in the Middle Agep21~ Music in the Middle Agep128~148 Music in the Middle AgeP149~178 Music in the Middle AgeP179~197 Music in the Middle　AgeP198~230 Music in the Middle AgeP231~248 Music in the Middle AgeP294~330 Music in the Middle AgeP331~ Music in the Middle AgeP360~ Music in the Middle AgeP387~~ MEDIEVAL MUAIC第４章 MEDIEVAL MUAIC第５章 MEDIEVAL MUAIC第６章 MEDIEVAL MUAIC第7章 MEDIEVAL MUAIC第８章 MEDIEVAL MUAIC第１０章 MEDIEVAL MUAIC第１１章 MEDIEVAL MUAIC第１２章 MEDIEVAL MUAIC第１３章 MEDIEVAL MUAIC第１４章 MEDIEVAL MUAIC第１５章 MEDIEVAL MUAIC第１６章 MEDIEVAL MUAIC第１７章-1 MEDIEVAL MUAIC第１７章-2 MEDIEVAL MUAIC第１８章－１ MEDIEVAL MUAIC第１８章－２ MEDIEVAL MUAIC第１9章－1 MEDIEVAL MUAIC第１9章－２ MEDIEVAL MUAIC第20章 VOICE AND INSTRUMENT IN THE MIDDLE AGE1 VOICE AND INSTRUMENT IN THE MIDDLE AGE2 VOICE AND INSTRUMENT IN THE MIDDLE AGE3 Music and Ceremony at Notre Dome of Paris 500-1500 Craig Wright Medieval Music in Renaissance1 G.Reese１ Music in the Renaissance２ p24~ Music in the Renaissance３p36~ Music in the Renaissance４ Dufay Chanson p52~ Music in the Renaissance5 p59~ Dufay Mass Concerning the Liturgical Usage of Dufay's Fragmentary Masses Stylistic Inconsistencies in a Kyrie Attributed Dufay Music in the Renaissance6 p77~ Dufay Motets Music in the Renaissance6-1　ｐ８６～（Binchois) Music in the Renaissance6-2　ｐ９７～ Music in the Renaissance6-3 p109~(Caron等） Music in Renaissance６ p224~ Music in the Renaissance7 p235~ Music in the Renaissance8p246~ Motivic Integration in Josquin's "Motets" Music in the Renaissance9 p763~ MUSIC IN MEDIEVAL BRITAIN1 p220~ MUSIC IN MEDIEVAL BRITAIN2 p243~ MUSIC IN MEDIEVAL BRITAIN3 p262~ MUSIC IN MEDIEVAL BRITAIN4 p274~ MUSIC IN MEDIEVAL BRITAIN5 p295~ MUSIC IN MEDIEVAL BRITAIN6 p307~ MUSIC IN MEDIEVAL BRITAIN7 p329~ MUSIC IN MEDIEVAL BRITAIN8 p353~ MUSIC IN MEDIEVAL BRITAIN9 p370~ MUSIC IN MEDIEVAL BRITAIN10 p391~ MUSIC IN MEDIEVAL BRITAIN11 p413~ tudor2(p1~19) tudor3(p19~38) tudor4(p39~68) tudor5(p69~103) tudor6(P104) tudor7(p125~) tudor8(p156~) tudor9(p192~) Choral and Instrumental Pitch in Church Music 1570-1620（未） tudor9-1(p212~) tudor9-2(p237~) tudor10(p250~) tudor11(p278~) tudor12(p292~) tudor13(p314~) tudor14(p341~ Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino0 その２　その３　その４　その５　その６　その７　その８　その９　その10 The Notation of Polyphonic Music 900-1600 Apel　その２　その３p87~　その４p107~　その５p126~その６p145~　その７p155~ その８p168~ その９p179~ その10p198~ その11p220~ その12p258~　その13p282~　その14p310~ その15p338~ その16p368~ その17p385~　その18p403～その19p425~ sesquiなんちゃら FRENCH SECULAR MUSIC　APEL		<Fauxbourdonについて> まうかめ堂フォーブルドンの解説（基本中の基本） Fauxbourdon, An Historical Survey1　その２　その３　その４ AUTHENTIC AND SPURIOUS FABURDEN　その２ GUILLAUME DUFAY'S CONCEPT OF FAUX-BOURDON Guillaume Dufay and the World the Bees The Beginnings of Fauxbourdon: A New Interpretation ＜15世紀前半の組ミサ＞ "PSEUDO-AUGMENTATION"1　その２　その３ The Music Manuscript 2216（BU)　その２ The Mass Ordinary1　その２　その３　その４　その５　その６ Techniques of Unification in Early Cyclic Masses1　その２ The Reson Mass Squaring the Triangle: Interrelations and their Meanings in Some Early Fifteenth-Century Mass Pairs* ROBERT E. PALMER ＜モテット＞ THE REFRAIN AND THE RISE OF　THE VERNACULAR２~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR３(~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR４(~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR５(~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR６(~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR７(~p33) THE REFRAIN AND THE RISE OF 　THEVERNACULAR８(~p33) THE REFRAIN AND THE RISE OF 　THE VERNACULAR８(~p33) FRENCH MOTETS0(～p14) FRENCH MOTETS1(p15-28) FRENCH MOTETS 2(p29-37) FRENCH MOTETS 3(p38-p42) FRENCH MOTETS (p43-p53) FRENCH MOTETS 5(p54-p65) FRENCH MOTETS6(p66-) FRENCH MOTETS7(p75~) FRENCH MOTETS 8(p82~) FRENCH MOTETS 9(p90~) FRENCH MOTETS 10(p90~) FRENCH MOTETS 1１(p109~) FRENCH MOTETS 1２(p120~) FRENCH MOTETS　1３p126~() FRENCH MOTETS 1４(p140~) FRENCH MOTETS 1５(p148~) FRENCH MOTETS １６(p158~) FRENCH MOTETS 1７(p166^)