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トップへ 音楽エッセイのページへ戻る 初期多声音楽
中世音楽のページ2(写本編)へ    
EARLY CISTERCIAN POLYPHONY:
A NEWLY-DISCOVERED SOURCE *
MANUEL PEDRO FER REIRA[抜粋)

Ordering in the motet fascicles
of theFlorence manuscript

http://machikun.la.coocan.jp/unknownmotet.htm
http://machikun.la.coocan.jp/conductusandmodal.htm
THE EARLIEST MOTETS: ORIGINS, TYPES AND GROUPINGS
http://machikun.la.coocan.jp/frobenius.htm
http://machikun.la.coocan.jp/kalendamaya.htm
Performance Practice. The Notre-Dame Calendar
and the Earliest Latin Liturgical Motets

Aspects of Trope in the Earliest Motets
for the Assumption of the Virgin


http://machikun.la.coocan.jp/romandefauvel1.htm
http://machikun.la.coocan.jp/romandefauvel2.htm
http://machikun.la.coocan.jp/romandefauvel3htm
http://machikun.la.coocan.jp/romandefauvel4.htm
http://machikun.la.coocan.jp/romandefauvel5htm
http://machikun.la.coocan.jp/romandefauvel6htm
http://machikun.la.coocan.jp/romandefauvel7.htm

B-Flat: Transposition or Transformation? Dolores Pesce
Hermann's Major Sixth BY RICHARD L. CROCKER
Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about I500* BY CRISTLE COLLINS JUDD
Mode and structure in the Masses of Josquin
MUSIC THEORY AND MUSICAL THINKING AFTER 1450
John Hothby as Innovator: The solmization system in La Calliopea legale Sigrun Heinzelmann 1
John Hothby as Innovator: The solmization system in La Calliopea legale Sigrun Heinzelmann 2
Musica Ficta in the Cortona Laudario
Extensio and fractio modi
第二モードの発展について
Datable "Notre Dame" Conductus:
New Historical Observations on Style and Technique1

Datable "Notre Dame" Conductus:
New Historical Observations on Style and Technique2

Datable "Notre Dame" Conductus:
New Historical Observations on Style and Technique3

Datable "Notre Dame" Conductus:
New Historical Observations on Style and Technique4
Datable "Notre Dame" Conductus:
New Historical Observations on Style and Technique5
Duple Rhythm and Alternate Third Mode1(未)
Duple Rhythm and Alternate Third Mode2(未)
まうかめ堂 モーダル記譜法の解説1
まうかめ堂:フランコ式記譜法の解説1
まうかめ堂 中世音楽の音階、ソルミゼーション、旋法
まうかめ堂:雑文のページ
solfatio: 中世のソルミゼーションに関する覚書
14 世紀世俗曲における
多声法についての一考察
──Ars nova からArs subtilior へ──

デュファイによる「ドミナントの発見」へ至る音響的総括として
マリア・モテットの成立に関する一試論
http://machikun.la.coocan.jp/youtubeenglish.htm
15世紀初頭の多声ミサ曲:組ミサとミサ・サイクル
Doctoral Dissertations(諸論文)
デュファイの楽譜1
デュファイの楽譜2(←の抄訳)
おじさん
ジョスカン・デプレ 
A Selection of English Carols A Limited Selection Richard Greene
CANTUS INDEX
The Gregorian Repertry
記譜法いろいろ(英語)
<マショー関係論文>
Machaut's Mass1
Machaut's Mass2
Machaut's Mass3
Machaut's Mass4

Machaut‘s Balade Ploures dames (B32) in the Light of Real Modality1 Berger
AN ANALYSIS OF GUILLAUME DE MACHAUT’S
“LE LAY DE LA FONTEINNE” 1

ON SONORITY IN FOURTEENTH-CENTURY POLYPHONY1
ON SONORITY IN FOURTEENTH-CENTURY POLYPHONY2
Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music Sarah Fuller
Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music Sarah Fulle2
Musica Ficta and Harmony in Machaut's Songs* THOMAS BROTHERS
Machaut's Messe Notre-Dame Gombosi
The dart of love: an analysis of Machaut’s rondeau no.5
The Works of Guillaume de Machaut
Machaut score Ballade
Inscribing medieval pedagogy: musica ficta in its texts1
Inscribing medieval pedagogy: musica ficta in its texts2
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue1
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue2
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue3
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue4
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue5
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue6
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue7
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue8
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue9
Chromatic Alteration in the Missa L'homme arm6 of Pierre de la Rue10
From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
THE COMMON AND THE UNUSUAL STEPS OF MUSICA FICTA:
Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum1
Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum2
A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century1
A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century2
False Relations and Chromaticism in Sixteenth-Century Music By JAMES HAAR
From Variety to Repetition:The Birth of Imitative Polyphony
Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria1
Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria2
Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria 3
The Motetti Missales Repertory Reconsidered
'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel1
'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel2

Medieval Music in Renaissance1 G.Reese1
Music in the Renaissance2 p24~
Music in the Renaissance3 p36~
Music in the Renaissance4 Dufay Chanso p52~n
Music in the Renaissance5 p59~ Dufay Mass
Concerning the Liturgical Usage of Dufay's Fragmentary Masses
Stylistic Inconsistencies in a Kyrie Attributed to Dufay
Music in the Renaissance6 p77~ Dufay Motets
Music in the Renaissance6-1 p86~(Binchois)
Music in the Renaissance6-2 p97~
Music in the Renaissance6-3 p109~(Caron等)
The Motets of Antoine Busnois
MORALES, JOSQUIN AND THE L'HOMME ARMÉ TRADITION
MORALES, JOSQUIN AND THE L'HOMME ARMÉ TRADITION2
THE L'HOMME ARME MASSES OF BUSNOYS AND OKEGHEM
The Missa L’homme arme of Johannes Regis 0
The Missa L’homme arme of Johannes Regis 1
The Missa L’homme arme of Johannes Regis 2
The Missa L’homme arme of Johannes Regis 3
The Missa L’homme arme of Johannes Regis 4
Music in the Renaissance6x p224~
Music in the Renaissance7 p235~
Music in the Renaissance8 p246~
Motivic Integration in Josquin's "Motets"
Music in the Renaissance9 p763~
Finishing Josquin’s“Unfinished” Mass
Finishing Josquin’s“Unfinished” Mass2

The Two-Part Conductus:Morphology, Dating and Authorship1
The Two-Part Conductus:Morphology, Dating and Authorship2
The Two-Part Conductus:Morphology, Dating and Authorship3
The Two-Part Conductus:Morphology, Dating and Authorship4
The Two-Part Conductus:Morphology, Dating and Authorship5
The Two-Part Conductus:Morphology, Dating and Authorship6
The Two-Part Conductus:Morphology, Dating and Authorship7
The Two-Part Conductus:Morphology, Dating and Authorship8
The Two-Part Conductus:Morphology, Dating and Authorship9
The Two-Part Conductus:Morphology, Dating and Authorship10


Studies in MEDIEVAL1
Studies in MEDIEVAL2
Studies in MEDIEVAL3
Studies in MEDIEVAL4(p73~)aa
Studies in MEDIEVAL4-0(p86~)
Studies in MEDIEVAL4-0-1(p99~)
Studies in MEDIEVAL4-1(p128)
Studies in MEDIEVAL4-2
Studies in MEDIEVAL4-3
a
Studies in MEDIEVAL4-4
Studies in MEDIEVAL4-5(p190~)
Studies in MEDIEVAL5(p217~230)
Studies in MEDIEVAL6
Studies in MEDIEVAL7
Studies in MEDIEVAL8


Music and Reformation1
Music and Reformation110 p31~
Music and Reformation111 p100~
Music and Reformation2 p135~
Music and Reformation3 p157~
Music and Reformation4 p172~
Music and Reformation5 p193~
Music and Reformation5-1 p277~
Music and Reformation6

Music in the Middle Agep21~
Music in the Middle Agep128~148
Music in the Middle AgeP149~178
Music in the Middle AgeP179~197
Music in the Middle AgeP198~230
Music in the Middle AgeP231~248
Music in the Middle AgeP294~330
Music in the Middle AgeP331~
Music in the Middle AgeP360~
Music in the Middle AgeP387~~
English Sacred Music1
English Sacred Music2 p34~
English Sacred Music3
English Sacred Music4
English Sacred Music5

Mid-Fifteenth-Century English Mass Cycles1
Mid-Fifteenth-Century English Mass Cycles2
Mid-Fifteenth-Century English Mass Cycles3
Mid-Fifteenth-Century English Mass Cycles4
Mid-Fifteenth-Century English Mass Cycles5

AUTOBIOGRAPHICAL IMPLICATIONS IN DUFAY'S SONG-MOTET JUVENIS QUI PUELLAM1
AUTOBIOGRAPHICAL IMPLICATIONS IN DUFAY'S SONG-MOTET JUVENIS QUI PUELLAM2
A Veneto Liber cantus (c. 1440)
Walter Frye and Contenance angloise1
Walter Frye and Contenance angloise2 p3~
aa
Walter Frye and Contenance angloise2-1 p28~
a
Walter Frye and Contenance angloise2-1 p47~
Walter Frye and Contenance angloise2-2 p62~
Singing from Manuscripts? Fifteenth-Century, English, Secular Songs with Music and their Reading Practices

Walter Frye and Contenance angloise3 p91~
Three musical treatises

Walter Frye and Contenance angloise4 p125~
Walter Frye and Contenance angloise5 p147^
Walter Frye and Contenance angloise6p169~
Walter Frye and Contenance angloise7p176~
THE STYLE OF WALTER FRYE AND AN ANONYMOUS MASS IN BRUSSELS
Medieval Music in Britain F.Harrison(p1~)
Medieval Music in Britain F.Harrison20(p46~

Medieval Music in Britain F.Harrison21(p72~~
Medieval Music in Britain F.Harrison00(p104~
Medieval Music in Britain F.Harrison01(p128~
Medieval Music in Britain F.Harrison0(p156~
Medieval Music in Britain F.Harrison0(p177
Medieval Music in Britain F.Harrison1(p220~
Medieval Music in Britain F.Harrison2(p243~
Medieval Music in Britain F.Harrison3(p262~
Medieval Music in Britain F.Harrison4(p274~)
Medieval Music in Britain F.Harrison5(p295~)
Medieval Music in Britain F.Harrison6(p307~)
Medieval Music in Britain F.Harrison7(p329)
Medieval Music in Britain F.Harrison8(p353~)
Medieval Music in Britain F.Harrison9(p370~)
Medieval Music in Britain F.Harrison10(p391~)
Medieval Music in Britain F.Harrison11(p413~)
England,hope for light after the confusion of darkness
Two Medieval Musical Manuscripts: Egerton 3307
Two Medieval Musical Manuscripts: Egerton 3307-2
A Newly Discovered 15th-Century Manuscript of the English Chapel Royal
Adam de La Hall and the Formsfixes

<Fauxbourdonについて>
まうかめ堂フォーブルドンの解説(基本中の基本)
Fauxbourdon, An Historical Survey1
Fauxbourdon, An Historical Survey2
Fauxbourdon, An Historical Survey3
Fauxbourdon, An Historical Survey4
AUTHENTIC AND SPURIOUS FABURDEN
AUTHENTIC AND SPURIOUS FABURDEN2
GUILLAUME DUFAY'S CONCEPT OF FAUX-BOURDON
Guillaume Dufay and the World of the Bees
The Beginnings of Fauxbourdon: A New Interpretation

THE REFRAIN AND THE RISE OF  THE VERNACULAR2~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR3(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR4(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR5(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR6(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR7(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR8(~p33)
THE REFRAIN AND THE RISE OF  THE VERNACULAR8(~p33)

FRENCH MOTETS0(~p14)
FRENCH MOTETS1(p15-28)

FRENCH MOTETS 2(p29-37)
FRENCH MOTETS 3(p38-p42)
FRENCH MOTETS 4(p43-p53)
FRENCH MOTETS 5(p54-p65)
FRENCH MOTETS 6(p66-)
FRENCH MOTETS 7(p75~)
FRENCH MOTETS 8(p82~)
FRENCH MOTETS 9(p90~)
FRENCH MOTETS 10(p90~)
FRENCH MOTETS 11(p109~)
FRENCH MOTETS 12(p120~)
FRENCH MOTETS 13p126~()
FRENCH MOTETS 14(p140~)
FRENCH MOTETS 15(p148~)
FRENCH MOTETS 16(p158~)
FRENCH MOTETS 17(p166^)

tudor2(p1~19)
tudor3(p19~38)
tudor4(p39~68)
tudor5(p69~103)
tudor6(P104)
tudor7(p125~)
tudor8(p156~)
tudor9(p192~)
Choral and Instrumental Pitch
in Church Music 1570-1620(未)

tudor9-1(p212~)
tudor9-2(p237~)
tudor10(p250~)
tudor11(p278~)
tudor12(p292~)
tudor13(p314~)
tudor14(p341~)
 <15世紀前半の組ミサ>
"PSEUDO-AUGMENTATION"1
"PSEUDO-AUGMENTATION"2
"PSEUDO-AUGMENTATION"3
The Music Manuscript 2216(BU)
The Music Manuscript 2216-2(BU)
The Mass Ordinary1
The Mass Ordinary2
The Mass Ordinary3
The Mass Ordinary4
The Mass Ordinary5
The Mass Ordinary6
Techniques of Unification in Early Cyclic Masses1
Techniques of Unification in Early Cyclic Masses2
The Reson Mass
Squaring the Triangle: Interrelations and their Meanings in Some Early Fifteenth-Century Mass Pairs* ROBERT E. PALMER
 
Apel1(~p15) 
Apel1(p16~p) 
Apel1(p87~106) 
Apel2
(p107~125
Apel3(p126~144)
Apel4(p145^167)
Apel5(p168~197)
Apel6(p198~219)
Apel7(p220^)
Apel8(p258~)
Apel9(p282~)
Apel10(p310~)
Apel11(p338~)
Apel12(p368~
Apel13(p385~)
Apel14(p403~)
Apel15(p425~)
The Origin and Early History of Proportion Signs
sesquiなんちゃら
FRENCH SECULAR MUSIC APEL
MEDIEVAL MUAIC第4章
MEDIEVAL MUAIC第5章
MEDIEVAL MUAIC第6章
MEDIEVAL MUAIC第7章
MEDIEVAL MUAIC第8章
MEDIEVAL MUAIC第10章
MEDIEVAL MUAIC第11章
MEDIEVAL MUAIC第12章
MEDIEVAL MUAIC第13章
MEDIEVAL MUAIC第14章
MEDIEVAL MUAIC第15章
MEDIEVAL MUAIC第16章
MEDIEVAL MUAIC第17章-1
MEDIEVAL MUAIC第17章ー2
MEDIEVAL MUAIC第18章-1
MEDIEVAL MUAIC第18章-2
MEDIEVAL MUAIC第19章-1
MEDIEVAL MUAIC第19章-2
MEDIEVAL MUAIC第20章
review;The Theory of Hexachords, Solmization and the Modal System: APractical Application by Gaston G. Allaire
DIATONIC FICTA1 Magaret Bent 
DIATONIC FICTA2 Magaret Bent 
Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica Magaret Bent 
Quid non ebrietas dissignat? Willaert’s didactic demonstration of Syntonic tuning
Quid non ebrietas dissignat? Willaert’s didactic demonstration of Syntonic tuning2
CHROMATICISM IN SIXTEENTH=CENTURY MUSIC1
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino0
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino1
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino2
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino3
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino4
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino5
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino5
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino6
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino7
Musica Ficta Theories of Accidental inflection in Vocal Polyphonyfrom Marchetto Da Padova to Giseffo Zarlino8
A DISPUTE ON ACCIDENTALS IN SIXTEENTH-CENTURY ROME(抄訳) 
元の論文
On the Theory and Practice of Chromaticism in Renaissance Music
On the Theory and Practice of Chromaticism in Renaissance Music2
On the Theory and Practice of Chromaticism in Renaissance Music3
On the Theory and Practice of Chromaticism in Renaissance Music4
On the Theory and Practice of Chromaticism in Renaissance Music5
On the Theory and Practice of Chromaticism in Renaissance Music6
On the Theory and Practice of Chromaticism in Renaissance Music7
On the Theory and Practice of Chromaticism in Renaissance Music8
On the Theory and Practice of Chromaticism in Renaissance Music9
On the Theory and Practice of Chromaticism in Renaissance Music10

DUFAY D.Fallows1

Mary's Nativity1
Mary's Nativity2
Mary's Nativity3

Manuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughe
Manuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughes2
Manuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughes3
aManuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughes4
aManuscript Accidentals:Ficta in Focus 1350-1450 1 Andrew Hughes5
CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart

CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart2

CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart 3

CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart 4
Subtilitas in the tonal language of Fumeux fume