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＜ノートルダム楽派関係＞
EARLY CISTERCIAN POLYPHONY:A NEWLY-DISCOVERED SOURCE
Ordering in the motet fascicles of theFlorence manuscript
Conductus and Modal Rhythm BY ERNEST H. SANDERS
The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony
By Margot E. Fassler. その２
THE EARLIEST MOTETS: ORIGINS, TYPES AND GROUPINGS
Concerning the Genetic Relationship Between Notre Dame Clausulas And Their Motets by WOLF FROBENIUS trans. Rob C. Wegman
Performance Practice. The Notre-Dame Calendar and the Earliest Latin Liturgical Motets
A Monument of English Mediaval Polyphony: The Manuscript Wolfenbuttel 677 Jacques Handschin
The Two-Part Conductus:Morphology, Dating and Authorship1
その２ その３ その４ その５ その６ その７ その８ その９ その10
aaa
A
Rhythmic realization for Raimbaut de Vaqueiras Kalenda Maya
Aspects
of Trope in the Earliest Motets for the
Assumption of the Virgin
Liturgical Polyphony at Beauvais in the Thirteenth Century David G. Hughes
A Monument of English Mediaval Polyphony: The Manuscript Wolfenbuttel 677 Jacques Handschin
Music and Sanctity in England,c. 1260- c. 1400 Lisa Marie Colton
THE MOTET IN ENGLAND IN THE FOURTEENTH CENTURY1 PETER MARTIN LEFFERTS
THE MOTET IN ENGLAND IN THE FOURTEENTH CENTURY2 PETER MARTIN LEFFERTS (未)
UNKNOWN MOTETS IN A RECOVERED THIRTEENTH-CENTURY MANUSCRIPT*BY LEO SCHRADE
＜Roman de Fauvel (BN fr.146)＞
Musical Beastliness・in the Roman de Fauvel (BN fr.146): Chaillous addicions・
and Sensory Danger
その２ その３ その４ その５ その６ その７
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＜音楽理論＞
B-Flat: Transposition or Transformation? Dolores
Pesce
Hermann's Major Sixth BY RICHARD L. CROCKER
Modal Types
and Ut, Re, Mi Tonalities:
Tonal Coherence in Sacred
Vocal Polyphony
from about I500* BY
CRISTLE COLLINS
JUDD
Mode and structure in the Masses of Josquin
MUSIC
THEORY AND
MUSICAL THINKING AFTER 1450
John Hothby as Innovator: The solmization system in La
Calliopea legale Sigrun
Heinzelmann 1
John Hothby as Innovator: The solmization system in La
Calliopea legale Sigrun
Heinzelmann 2
Musica Ficta in the Cortona Laudario
Inscribing medieval pedagogy: musica ficta in its texts1 その２
Chromatic
Alteration
in the
Missa
L'homme
arm6
of
Pierre
de la
Rue1
その２ その３ その４ その５ その６ その７ その８ その９ その１０
From the Singer's Point of View: A Case Study in Hexachordal
Solmization
as a
Guide
to
Musica
Recta and
Musica
Ficta
in
Fifteenth-Century
Vocal
Music
THE COMMON
AND THE
UNUSUAL
STEPS
OF
MUSICA
FICTA:
Hearing Counterpoint Within Chromaticism: Analyzing Harmonic
Relationships in Lassuss Prophetiae
Sibyllarum1 その２
A New Theory of Chromaticism from the Late Sixteenth to
the
Early
Eighteenth
Century１ その２
False Relations and Chromaticism in Sixteenth-Century Music By
JAMES
HAAR
From
Variety to
Repetition:The
Birth of Imitative
Polyphony
Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria１
その２ その３
The
Motetti
Missales
Repertory
Reconsidered
'La Contenance Italienne': The Motets on 'Beata es
Maria'
by
Compère,
Obrecht
and
Brumel1 その２
Modal Discourse and Fourteenth-Century French Song: A 'Medieval' Perspective
Recovered? Author(s): Sarah Fuller１ その２ |
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＜F.Harrison＞
Medieval Music in Britain F.Harrison(p1~)
Medieval Music in Britain F.Harrison20(p46~
Medieval Music in Britain F.Harrison21(p72~~
Medieval Music in Britain F.Harrison00(p104~
Medieval Music in Britain F.Harrison01(p128~
Medieval Music in Britain F.Harrison0(p156~
Medieval Music in Britain F.Harrison0(p177
Medieval Music in Britain F.Harrison1(p220~
Medieval Music in Britain F.Harrison2(p243~
Medieval Music in Britain F.Harrison3(p262~
Medieval Music in Britain F.Harrison4(p274~)
Medieval Music in Britain F.Harrison5(p295~)
Medieval Music in Britain F.Harrison6(p307~)
Medieval Music in Britain F.Harrison7(p329)
Medieval Music in Britain F.Harrison8(p353~)
Medieval Music in Britain F.Harrison9(p370~)
Medieval Music in Britain F.Harrison10(p391~)
Medieval Music in Britain F.Harrison11(p413~) |
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Music and Reformation1
Music and Reformation110 p31~
Music and Reformation111 p100~
Music and Reformation2 p135~
Music and Reformation3 p157~
Music and Reformation4 p172~
Music and Reformation5 p193~
Music and Reformation5-1 p277~
Music and Reformation6
Music in the Middle Agep21~
Music in the Middle Agep128~148
Music in the Middle AgeP149~178
Music
in the
Middle AgeP179~197
Music
in
the
Middle
AgeP198~230
Music
in
the
Middle
AgeP231~248
Music
in
the
Middle
AgeP294~330
Music
in
the
Middle
AgeP331~
Music in the Middle AgeP360~
Music in the Middle AgeP387~~ |
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Mary's
Nativity1
Mary's
Nativity2
Mary's
Nativity3
Manuscript Accidentals:Ficta in Focus 1350-1450 1
Andrew Hughe
Manuscript Accidentals:Ficta in Focus 1350-1450 1
Andrew Hughes2
Manuscript Accidentals:Ficta in Focus
1350-1450 1 Andrew Hughes3
aManuscript Accidentals:Ficta in Focus
1350-1450 1 Andrew Hughes4
aManuscript Accidentals:Ficta in Focus
1350-1450 1 Andrew Hughes5
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CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart
CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart2
CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart 3
CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN
Peter Urquhart 4 |
Subtilitas in the tonal language of Fumeux
fume
Signature-systems and tonal types in the fourteenth-century
French chanson
PETER M.
LEFFERTS
Tonal Types and Modal Categories in Renaissance Polyphony
Harold S. Powers |
Chromatic beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic
beauty in the late medieval chanson
T.Brothers
Chromatic beauty in the late medieval chanson
T.Brothers
Chromatic beauty in the late medieval chanson
T.Brothers
The Origin of the Coniuncta |
VOICE AND INSTRUMENT IN THE MIDDLE
AGE1
VOICE AND INSTRUMENT IN THE MIDDLE
AGE2
VOICE
AND INSTRUMENT IN THE MIDDLE AGE3
Music and Ceremony at Notre Dome of Paris 500-1500 Craig
Wright |
The Motet in the Age of
Dufay |
DUFAY D.Fallows1
DUFAY D.Fallows２
DUFAY D.Fallows３ |